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- #Death come true endings movie
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- #Death come true endings series
Many of the FMV sequences stutter throughout, both docked and undocked. Playing it on the Switch is a different story, however. Death Come True genuinely feels like a movie, and watching it I felt like I could be seated in a cinema, worrying whenever the lead character makes a wrong choice (or, in the game’s case, you). I also think this is one of the best-shot FMV games I’ve ever played.
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Kuriyama as Akane Sachimura in particular deserves praise for delivering a believable performance, especially when things start to get unusual. I also think the acting is really great too. It’s actually nice to see Kodaka take a step back and rein in some of the wilder ideas we saw during the killing games of his previous franchise. It’s not excessively violent, it moves at a snappy pace, and the characters aren’t over-the-top: it very much feels like a typical mystery film. People familiar with his work will see similar threads from his previous games, but a significant tonal departure. The film itself is well written, and Kodaka is still playing to his strengths in the narrative. It’s even more unusual given that the main scenario has subtitles in ten different languages.Īfter Danganronpa, it might be a bit disappointing to see that Death Come True plays it safe, but a lot of things come together to make this FMV title enjoyable. I don’t think the videos are vital to understanding the story, but it’s an extremely odd and frustrating omission that, unless you can understand Japanese, makes completionists feel unrewarded. There are 16 of these to collect, and they unlock various videos in DeathTube, which can consist of easter eggs, news clips mimicking the news channel that plays in the main game, or behind the scenes clips. Getting all of the medals is fairly easy at least, as you can fast-forward through the story until you get to one of the choices. You could go an entire playthrough without seeing one, which can be a little confusing considering some of these cast members have been part of the promotional material.Įvery time Makoto dies, you get rewarded with a Death Medal. Certain endings are also the only way to see specific characters, and they often show up for less than a few minutes. Some come out of the blue, and others are built up and end flat. The biggest problem for me is that the deaths are all lacklustre, with no real shocks. These choices either move the story along or end in Makoto’s death, and most of the time it’s not hard to figure out what the right answer is.
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Most of the time you’re left to sit and watch a movie play out, the only interactivity provided by choices as you progress through the game. With this knowledge, he seeks out the answers as to who he is and what’s going on in this strange hotel. Then here’s the twist: you hit continue on the “game over” screen, Karaki wakes up in the same hotel room yet remembers everything that happened before he died. After letting a police officer into his room, the officer attempts to apprehend him with Makoto shot dead during the struggle.
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Having lost all of his memories, he looks at the television only to find out he is a serial killer. The initial premise is set with Makoto Karaki waking up in a hotel room.
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With a stand-out cast including Yūki Kaji (voice of Eren Yeager from Attack on Titan and Shoto Todoroki in My Hero Academia), Kanata Hongō (Ryoma Echizen from the live-action adaptation of The Prince of Tennis) and Chiaki Kuriyama (most famously known for her many Tokusatsu appearances), Death Come True is full of star power, and everyone brings in solid performances to elevate an otherwise safe first attempt at an FMV game.Įven before you get into the game, lead actor Hongō appears on screen to dissuade players from spoiling any element of the story.
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Still, I was surprised when Danganronpa series scenario writer, Kazutaka Kodaka, announced that his first post-killing game endeavour would be an FMV adventure game, Death Come True. But more recently, FMV has shaken off that stigma and garnered a lot of attention through games like Her Story, The Bunker, and Telling Lies, for creating engaging stories with outstanding performances from live actors. These games were nothing more than a bit of amusement and a curio of the past. When I think of Full Motion Video (FMV) with live actors, I think of delightfully cheesy B-movie style interactive films from the ’80s and ’90s.